Using this knowledge, he works across a variety of fields from pop music, film music, and more. In our next article, we will be looking at these roles in the context of chords.īy learning how to link scale degrees to a chord it will be easy to discover their role in the context of a song.Īfter moving to the USA at 18 years of age with a scholarship from Berklee, he completed a 4 year study focused on song writing and arranging there. Now we can see that the note C is the Tonic in the key C, the Dominant in the key F, and the Subdominant in the key G. This note “leads” up a half-step to the tonic note. This names comes from this notes placement between the Tonic and the Subdominant. Similar to the Leading Tone, it has an important placement when in contrast with the Tonic. The note that is a P5th above the Tonic, or a P4th below it. This note is a P5th below the Tonic, or a P4th above it. This name comes from this notes placement between the middle of the Tonic and Dominant. When writing Middle C in music notation, it is below the stave when using the treble clef and just above the. When you compare all the Cs in the piano, it is the one nearest to the middle. It is not perfectly in the middle of the keyboard, but very nearly. The word Super implies that is it the note above the Tonic. Middle C is the musical note C that is in the middle of the piano keyboard. It is considered the most stable note in a scale. In most music, there will be a sense of wanting to return to this note found in the progression. The first note of the scale, and in solfege (movable do) in a major key it is the note do. Using the C major scale as an example, lets take a look. To understand it’s role, understanding the functions of notes (scale degree names) In fact, like its different placement in each key, the same note “C” holds a different role depending on the key it is found in. It will be the fourth in the G major scale. In the C major scale it will be the first note on the left. Here, lets take a look at the note “C” in each key. We will also be utilizing all of the knowledge we have learned up until this point.įirst, take a look at the circle of fifths while picturing each major key and it’s scale. Though it may seem complicated, this information is crucial so be sure to master it! It allows us to easily use the knowledge of that scale to create other scales.īecause the C major scale is “C D E F G A B (C)”,įrom here we will be looking at the function of notes (scale degree names). This means the root note of a scale is called “do”.īy giving each note of the major scale a number (1 2 3 4 5 6 7 (8)), This encompasses the idea of the movable “do”. This name represents the actual pitch of a note (determined by frequency). To avoid any confusion, lets go over some terms we have touched upon up until this point. We recommend practicing song analysis as well to polish up your skills along the way. In particular, over the course of a few articles we will look at “how to use” the chords we have learned up until this point (triads, 7th major diatonic chords). From this point on, we will be looking at techniques to create more of a “story” through chord progressions.
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